I did an interview with Sue some time ago, and I hope you also like to read it.
1) When did you find out
you wanted to write?
My father, G.W. Grafton,
was a municipal bond attorney in Louisville, Kentucky, where I was born and
raised. He was also a writer and published three mysteries in the course of his
career: THE RAT BEGAN TO GNAW THE ROPE, THE ROPE BEGAN TO HAND THE BUTCHER and
BEYOND A REASONABLE DOUBT. His first mystery novel, THE RAT BEGAN TO GNAW THE
ROPE, won the Mary Roberts Rinehart Award of 1943. He was probably the greatest
influence in my decision to write mystery novels because he was always so
passionate about the genre himself.
2) Did your studies
prepare you for a career as a writer?
In both junior high
school and high school, I worked on the school paper. I attended the University
of Louisville, where I majored in English. I started writing short stories when
I was eighteen and completed my first novel when I was twenty-two years old.
3) Was it difficult to
find a publisher for your first book?
It took me four completed
full-length manuscripts before I had a book accepted for publication. I was
twenty-five at the time. From the age of twenty-two on, I wrote at night, every
night, while I was working full time as a medical secretary and raising a
family. ‘A’ IS FOR ALIBI… which took me five years to finish… was the eighth
book I wrote but only the third to be published.
4) Your books are a major
success. Do you enjoy it?
I’m amazed at the success
of the books and I work very hard to make sure each book I write is done with
the same dedication I felt for my first. I’m an optimist by nature and from my
perspective, my life is perfect. I have a wonderful husband, three terrific
kids, three granddaughters, five cats, numerous friends, two beautiful houses,
my health, physical fitness, and lots of good books to read. Also, most of my
hair and my own teeth. What else could anyone want?
5) Did you know anything
about police or detective work when you started writing?
When I started work on
‘A’ IS FOR ALIBI, I wasn’t even sure what a private investigator did. In the
process of writing that first book in the series, I began the long (and
continuing) task of educating myself. I’ve studied police procedures, forensics,
toxicology, books on burglary and theft, homicide, arson, anatomy, poisonous
plants. I elected to write about a female protagonist because I’m female myself
and I figured it was my one area of expertise.
6) What brought you to
use the alphabet to title your books?
When I first came up with
the idea of using letters on the alphabet to title my books, I sat and sketched
out a list of possible titles, many of which I’ve gone on to use. My unspoken
rule is that each word needs to be crime related… hence, BURGLAR, CORPSE,
DEADBEAT, etc. Often, I begin a book with only the vaguest of ideas. For
instance, with ‘C’ IS FOR CORPSE all I knew in the beginning was that I wanted
Kinsey to work for a dead man. With ‘D’, I thought it would be interesting if
Kinsey did some work for a man who then paid her with a check that bounces. She
has to track the guy down to get the check made good and by the time she finds
him, he’s dead. She gets involved in the case because she’s out the bucks. The
process of plotting was, in part, simply trying to figure out
how.
7) How do you work out a
manuscript?
Usually I start with the
title and then I try to come up with a story I haven’t told before, which means
an interesting client or an unusual way for Kinsey to get involved in a case. I
do tons of research before I start writing, including visits to any location or
setting I think might be different. I usually decide who gets killed and why,
then decide who else might appear to be guilty of the crime. Then I have to
figure out how Kinsey would figure it out. Often I know the beginning and the
end. It’s the middle that drives me crazy. The cases I write about are invented,
though some of the side stories and the back stories I collect from the
newspaper. I like looking at the dark side of human nature, trying to
understand what makes people kill each other. I’m a real law-and-order type and
I don’t want people to get away with murder. In a mystery novel there is justice
and I like that a lot.
8) Does Kinsey Millhone
resemble you in any way?
Kinsey Millhone is my
alter-ego…the person I might have been had I not married young and had children.
I think of us as one soul in two bodies and she got the good one. The ’68 VW she
drove (until ‘G’ IS FOR GUMSHOE) was a car I owned some years ago. In ‘H’ IS FOR
HOMICIDE, she acquires the 1974 VW that was sitting behind my house until I
donated it to a local charity that raffled it off. That car was pale blue with
only one minor ding in the left rear fender. I own both handguns she talks about
and in fact, I learned to shoot so that I would know what it felt like. I own
the all-purpose dress she refers to. I’ve also been married and divorced twice,
though I’m now married to husband number three and intend to remain so for
life.
What’s interesting about Kinsey’s presence in my life is that since she can only know what I know, I have to do a great deal of research and this allows me, in essence, to lead two lives… hers and mine. Because of that, I’ve taken a women’s self-defence class and a class in criminal law. I’ve also made the acquaintance of doctors, lawyers, P.I.s, cops, coroners, all manner of experts. I’ve toured jails and prisons. I’ve also talked to a number of criminals and I’m happy to report they cuss even more than I do.
What’s interesting about Kinsey’s presence in my life is that since she can only know what I know, I have to do a great deal of research and this allows me, in essence, to lead two lives… hers and mine. Because of that, I’ve taken a women’s self-defence class and a class in criminal law. I’ve also made the acquaintance of doctors, lawyers, P.I.s, cops, coroners, all manner of experts. I’ve toured jails and prisons. I’ve also talked to a number of criminals and I’m happy to report they cuss even more than I do.
9) Do you
handle criticism well?
I don’t handle criticism
well, but I’ve learned to be polite to complaining readers unless they’re rude
to me first. I get many letters pointing out typos, factual errors, and
inconsistencies. I put on a brave front and respond as graciously as I can,
though often I find it tiresome. Sometimes I wonder if people don’t have
anything better to do. If you look at the big picture…. hunger, war, racial
hatreds, poverty, incurable disease… why is it important to chide an author or a
typo? It makes no sense to me.
10) Will you stop writing
after reaching ‘Z’?
I won’t finish ‘Z’ IS FOR
ZERO until approximately 2015 and I have no idea what I’ll do at that point.
I’ll always write, but I can assure you that I’ll never do linking titles again!
As for Kinsey, we’ll see if she still has adventures to share when we reach the
end of the alphabet.
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